Selected Exhibitions and Performances

2019

boat-house-theatre, (with Tom Adams), ARC Stockon, Stockton-on-Tees.

 

Crathelstan Sound Studio (residency project), CRATE, Margate.

 

Place, Space, Who, (with Barbara Walker), Turner Contemporary, Margate.

 

2018

Conference (after attar) by Caroline Bergvall, (composition and live mixing), Whitstable Biennale, Kent.

 

 

Return of the Unknown, (sound design), Dover Marine Station, Canterbury, Kent.


Hannah and Hanna in Dreamland, (sound design), Marlowe Theatre, Canterbury, Kent.

 

 

This Is Our Garden In The Morning, Tate Britain, London.

 

 

Sound and Image, Analogue Ensemble, Ramsgate, Kent.

 

 

Furniture Music at Flat 38 Gallery, Margate, Kent

 

 

 

2017

Zero Hours, Venice Agendas, Folkestone Triennial, Kent.

 

 

Autochthon, Film for Friday, Tate St Ives, Cornwall.

 

 

Speaking the Mountains, Porthmeor Studios, St Ives, Cornwall.

 

 

2016

Players, at the opening weekend of the Switch House, Tate Modern, London.

 

 

Athelstan Sound, Electromantic, Margate, Kent.

 

 

Athelstan Sound, Contrapop Festival, Ramsgate, Kent.

 

 

Performed Improvisation, Turner Contemporary, Margate, Kent.

 

 

2015

Speak As You Find, (sound design), Magic Me, Tower Hamlets

 

 

Field Recordings Of Former South London Windmills, Soundfjord’s Listening Room at Full of Noise, Barrow-in-Furness

 

 

Yesterday (Tingle), …a journey based on irony and suspense, curated by AMA Collective, London.

 

 

clay circle, (with Trish Scott), Transacting: A Market of Values, Chelsea Parade Ground, Chelsea College of Art.

 

 

GNEISS, (with Richard Thomas and the Bohman Brothers), T-Bar, Finsbury Park, London

 

 

Liberation Through Hearing, Royal Academy of Arts, London.

 

 

2014

Palace of Green Porcelain, (with Katie Schwab), Breese Little Gallery, London.

 

 

Adrift, (with Olivia Kissper), Tate Britain, London.

 

 

We Know What We Like and We Like What We Know, Whitstable Biennale, Whitstable, Kent.

 

 

I’m A Good Listener/Are you A Good Listener?, Points of Listening, London College of Communication, London.

 

 

Yesterday, Harewood House, Yorkshire.

 

2013

Advantageous Recordings, KARST, Plymouth, Devon.

 

 

Advantageous Recordings, Café Oto, London.

 

 

Advantageous Recordings, De La Warr Pavilion, Bexhill-on-Sea.

 

 

Super Mini FM, Tate Britain

 

 

12 Minute Reverie, (with Colin Priest), Chelsea Parade Ground, Chelsea School of Art, London.

 

 

2012

Hidden Noise, Tate Britain, London.

 

 

Inaudible Archive of incredible promise, Tate Modern, London.

 

 

Scrib, Tate Modern, London

 

 

2012

View From Above, Magic Me and TFL, sound piece for number 38 bus route, London.

 

 

 

 

Education

 

 

2012-2018

PhD, The Listening Artist: On listening as an artistic practice beyond sound art. London College of Communication, University of the Arts, London.

 

 

2010

MA Sounds Arts (distinction), London College of Communication, University of the Arts, London.

 

 

2006

CELTA, International House, Barcelona

 

 

1997-2001

Bsc Social Anthropology (2:1), London School of Economics and Political Science, London.

 

 

 

Publications, Papers and Broadcast

 

 

2018

Listening in Scenography, ed. Simon Donger, Crowood Press, London.

 

 

Athelstan Sound, community and dialogic listening, Contemporary Music Review, Taylor & Francis, London.

 

Athelstan Sound’s Spontaneous Radio, Radio Margate, Margate, Kent.

 

2017

Soft Borders, (interview with Sophie Mallet), Chateau International, London.

 

2016

The Invisible Knapsack: A Remix (On White Male Privilege in Sound Art), sound:gender:feminism:activism, London College of Communication, London.

 

2015

In Search of Lost Sounds, podcast for Nature Magazine

 

2014

We Know What Like and We Like What We Know, published by Dan and Trish Scott

 

 

We Know What Like and We Like What We Know, BRFM, Kent

 

 

Tingle Response, Sensing Site, University of the Arts, London.

 

2013

Sensuous Soundscapes and Mimetic Machines, World Forum for Acoustic Ecology, University of Kent, Kent.

 

 

Artist Interview, Nutida Musik, Sweden.

 

 

Advantageous Recordings, Concerzender, Dutch National Radio, Netherlands.

 

 

Palace of Green Porcelain, Breese Little Gallery, London.

 

 

Museum of Loneliness by Chris Petit, (sound recording), released by Test Centre.

 

 

Interview on Sensing Cities, Resonance FM

 

 

On Sounds Chosen, artist interview, Jotta magazine.

 

2012

Radio Yesterday, (with Ed Baxter), Resonance FM, London.

 

 

Open Studio Research, Tate Early Years and Families, London.

 

2011

Field Recordings of Former South London Windmills, Organised Sound, Cambridge University Press.

 

 

Stone Tape Shuffle, by Iain Sinclair, (LP sound recording and editing), Test Centre.

 

 

 

 

 

 

Teaching and Workshops

 

2011-

Tutor, MA Scenography, lectures, workshops and tutoring, Royal Central School of Speech and Drama, Swiss Cottage, London.

 

 

2018

South East Future Sounds (with Matt Lewis), field recording workshop, Margate, London.

 

Sound and Image, Pie Factory Music, Ramsgate.

 

Rocks Have Ears, schools workshops, Turner Contemporary, Margate.

 

 

 

Visiting lecturer, University of the Creative Arts, Kent.

 

2017

Listening Workshop, In Dialogue, New Arts Exchange, Nottingham.

 

2015

Rooms with a View, sound workshops, Magic Me, Tower Hamlets, London.

 

 

Spaceship School, Tate Britain, London.

 

 

Bodies that Matter lecture, Flat Time House, London.

 

2013

Staring Out Of The Window (On making a living as an artist), University of Kent, Kent.

 

Artist lecture, University of Kent.

 

 

Visiting lecturer, London College of Communication, London.

 

2012

 

And The Winner Is…, LIFT, London International Festival of Theatre, workshops across London.

 

 

Residencies

 

 

2018

Limbo, Margate, Kent.

 

2014

Binaural, Nodar, Portugal.

 

2012

Binaural, Nodar, Portugal.

 

 

2009

Herhusid, Siglufjordur, Iceland.

 

2008

Obras, Alentejo, Portugal.

 

2007

Sproutbau, Bremen, Germany.

 

 

 

Awards

 

 

2018

Teesside Rediscovered commission for boat-house-theatre.

 

2016

Arts Council Award for Soft Borders.

 

2016

PhD AHRC award.

 

2015

2015 New Voices, Sound and Music.

 

 

 

Curatorial

 

 

2015-

Athelstan Sound, Ongoing, sound and listening workshops, Margate, Kent.

 

2018

From the ground up: book talk, Resort Studios, Margate

 

2017

How Does This Country Work, LARP, Resort Studios, Margate.

 

2017

Trickle Down, (with Discovery Planet), Resort Studios, Margate

 

2017

Margate Memories (with Jemma Channing), Resort Studios, Margate

 

2016

Kim’s Video Margate, Resort Studios, Margate.

 

2016

Sounds for Living, Cliftonville, Kent.

 

2016

Sheepscapes, Battersea Arts Centre, London.

 

2014

We Know What We Like and We Like What We Know (with Trish Scott), Swale, Kent.

 

2013

Sonic Trails, Tate Early Years and Families, Tate, London.

 

2012

Sound and Performance, (with Louisa Martin, Neil Luck and Tate Early Years and Families), Tanks, Tate Modern, London.

 

 

 

Employment

 

2010-

Freelance artist and educator

 

2010-

 

Freelance AV Technician, Tate Galleries, London.

 

 

2006-2009

TEFL Teacher, Community Institute, Barcelona.

 

 

2004 - 2006

Secondary school teacher, Charter School, London.

 

 

2002-2004

Music Consultant, Ded Good Music, Denmark Street, London.

 

 

1996-1998

Musician and songwriter, Narco, signed to EMI publishing in 1997.